CASE STUDY
English National Ballet Copy
Sleeping Beauty
Royal Albert Hall • London
Collaborators + Partners


About
Client
English National Ballet
Year
2026
Reach
30k+ Viewers
Context and Brief
We were delighted to collaborate with Charlotte MacMillan and the English National Ballet to develop the projection and video design for Sir Kenneth MacMillan's iconic production of The Sleeping Beauty. Presented at London's Royal Albert Hall, and with this being our first time working on a ballet production, we brought Charlotte's beautiful illustrations to life through animation, enriching the performance while remaining true to the ballet's timeless elegance.
The creative ambition was to create a visual spectacle that would appeal to both traditional ballet audiences and new generations alike, combining classical dance with contemporary visual media to make the performance feel more accessible and shareable, while always keeping the choreography and storytelling at its heart.
Services
Projection Mapping
Video Design
Media Server Programming
Project Type
Live Show
Broadcast
Themed Entertainment
Creative
Creative Vision + Art Direction
Inspired by the theatrical stage designs of the 17th-century Bibiena family, renowned for their grand architectural perspectives and elaborate theatre scenery, our creative approach translated the timeless language of classical ballet into animation, extending Sir Kenneth MacMillan's vision while preserving the elegance and emotion at the heart of the performance.
Working closely with Charlotte MacMillan, we contributed to the wider design and illustration process, bringing her visual world to life through animation and projection. Rather than redefining the ballet’s visual identity, our aim was to enhance it, using projection as a dynamic extension of the stage design while ensuring the dancers and choreography remained the focal point throughout.
A storybook aesthetic became the foundation, combining parchment textures, etched illustrations and flowing ink animations to create the feeling of a story unfolding from the pages of an old book or manuscript. Through evolving loops and animation techniques that increased in complexity as the narrative progressed, the visuals amplified the emotional subtext of the choreography, supporting character development and key moments of transformation.
Each character was given a distinct visual identity through carefully considered colour grading and lighting, from dramatic lighting elements reflecting danger and tension around the antagonist, to brighter rays of light symbolising hope and renewal for the rescuing prince.
Technical
Implementation
The Royal Albert Hall's unique in-the-round configuration presented a significant technical challenge, as traditional physical sets were not feasible within the venue. Instead, we rebuilt the scenery virtually through large-scale projection, creating immersive perspective-based environments across both the backdrop and extended stage floor. As a classical ballet rather than a generative live performance, every scene was pre-rendered, allowing the visuals to remain subtle and supportive of the choreography.
This performance was driven by a live orchestra rather than timecode, requiring every visual cue to be called in real time alongside the lighting. Using Disguise media servers and pre-rendered media, we developed a playback workflow that delivered high-resolution projection, remaining flexible enough to respond to each performance.
Previsualisation in Unreal Engine played a key role in refining perspective before arriving on site, allowing us to accurately visualise how the projection would be experienced from every angle of the auditorium.
During technical rehearsals, we refined the projection mapping to create a seamless transition between the floor and backdrop projections, reducing glare and preventing shadows on the dancers while maintaining the illusion of a single scenic environment.
Thanks to
Charlotte Macmillan
Todd Baxter
Aaron Watkin
Sam Wright + Setting Line team
Sam Wheeler + DB Solutions team
Team
Tom Bairstow (Executive Producer / Director)
Alice Ryland (Senior Producer / Project Lead)
Guy Smith (Art Director / Creative Lead)
Florian Lecoq (Technical Lead)
Dan Shufflebotham (Senior Technical Artist)
Misaki Horai (Motion Designer)
Liam Gilheany (Motion Designer)
Luke Heathcote (Motion Designer & D3)
Image Credits
English National Ballet
NorthHouse
















